WiHM Feature #9: Poppy Z. Brite

Poppy Z. Brite

Notable quote:

To be honest, I never really had a special interest in vampires. They sort of slimed their way into my first novel because they were an essential icon of goth culture at the time—they’re kind of passé now, I think—and after Lost Souls was a success, people expected me to be much more interested in them than I was.

(From an interview in Vice Magazine, “Poppy Z. Brite Is The King/Queen Of New Orleans” by Amy Kellner, 2008)

I went back and forth a little bit, debated, asked a few people what they thought, and ultimately decided to include Poppy Z. Brite on my list of the top 20 women that I chose to feature during Women in Horror Month this year, because although Poppy self-identifies almost completely as male rather than female, Poppy was still female at the time of publication of most of the notable works below.

Although known for featuring more male characters, Poppy Z. Brite has been, without a doubt, one of the most influential figures to women writing horror and as an influence on the genre in general, and with good reason. Works like Lost Souls and Drawing Blood are some of the most praised works in the genre, and fans of horror with a gothic sensibility continue to discover them even to this day, a testament to their lasting impact.

Interesting interviews:
Bookslut (2004)
DarkEcho Interview (1998; originally from OMNI Magazine)
Vice (2008)
The Of Blog (2004)
Interview conducted by Rain Graves
Seven Mag

What to Read First: Brite’s work is very diverse, and many novels can be considered stand-alone. Depending on where your interests rank, if you’re big on vampires, I would recommend Lost Souls, or if you’re more into short story collections, start with Wormwood. Drawing Blood is also a great place to start.

Notable Works:
For a more complete bibliography, visit this link:
Lost Souls (1992, Dell)
Wormwood (short story collection) (1993, Dell)
Drawing Blood (1993, Dell)
Exquisite Corpse (1996, Touchstone)
Wrong Things (with Caitlin R. Kiernan) (2001, Subterranean Press)
The Devil You Know (short story collection) (2003, Gauntlet Press)
Liquor (2004, Three Rivers Press)
Prime (2005, Three Rivers Press)
Soul Kitchen (2006, Three Rivers Press)

Fun Facts:
* Born Melissa Ann Brite
* Native of New Orleans, Louisiana
* Has done a Crow-inspired take off set in New Orleans called The Crow: The Lazarus Heart (1999, Harper Entertainment)
* Loves UNC basketball and is a huge fan of the football team the New Orleans Saints
* Passionate about rescuing cats
* Became one of the first New Orleanians that began to re-populate the city after the devastation of Hurricane Katrina
* First story was written (dictated into a tape recorder) at the age of 3 and started submitting stories at the age of 12
* Fan of John Kennedy O’Toole, J.D. Salinger, and Neil Gaiman, among many others
* Wrote a biography of rock singer Courtney Love
* Wrote an interesting and morbid eulogy for William Burroughs

Career Highlights:
* First published short story was “Optional Music for Voice and Piano,” published in THE HORROR SHOW (which became defunct in 1988)
* Edited collections Love in Vein (1994, Harper Prism) and Love in Vein II (1997, Harper Prism)
* Has been nominated for a slew of major awards for horror and fantasy fiction, including the Bram Stoker Award, the Lambda Award,
* Won an International Horror Guild Award for Best Anthology for Love in Vein
* For a complete award bibliography, visit this link

Current projects: Sadly, Poppy Z. Brite has taken a hiatus from producing new material for the time being.

Visit Poppy’s blog here, and A Beginner’s Guide to PZB.

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2 Comments

  1. I remember reading Brite’s stories in the very early ’90s and eagerly awaiting LOST SOULS. While I wasn’t blown away by the novel, her short story collection SWAMP FOETUS was pretty cool. A year or so ago I reread it for the first time in nearly 20 years and was happy to find it just as cool. She was truly an original voice in horror fiction of that era.
    Will E. recently posted..Blackwater III: The House by Michael McDowell (1983): Power and Greed and Corruptible Seed

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